I love it! Very elemental (Earth, Air, Fire, Water) - I think?! I never know how to read these things but I'm kinda glad it's not in color. You almost had all primes (...to further the 'elemental' theme).
Yeah, I'm glad you noticed that. The first three panel counts are primes and the last one is a composite. The first three are about contained and claustrophobic situations but then the fourth is about release and connecting to somewhere else. (I was going to mention that I drew these when I had a head cold.) With my mind tripping, I put all sorts of subtle private jokes in these. For instance, the first panel is a reference to something I used to find funny in superhero comics - when the destination in the background was in perspective but the foreground of the superhero flying toward the destination was flattened so it looked like they were flying past the destination. I never knew why they did that. (It read easier? The artist was rushed for deadline?) I'm not sure but it always made me laugh. There's also that drip at the end of the third one. Lots of little things like that. Thanks for your comments - abstract comics are awesome.
Thanks for the explanation! Finally! I still haven't learned how to read this language yet so at times I feel like a bit of a Kindergartener. I hope abstract comics are not one of those things that require the viewer/reader to be in the same state of mind that the artist was at the time they did the piece to understand it. Not that I would mind having a cold, but some of the other pieces, what part of the imagination could they come from? My place is safely outside the page. :)
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
I love it! Very elemental (Earth, Air, Fire, Water) - I think?! I never know how to read these things but I'm kinda glad it's not in color. You almost had all primes (...to further the 'elemental' theme).
ReplyDeleteYeah, I'm glad you noticed that. The first three panel counts are primes and the last one is a composite. The first three are about contained and claustrophobic situations but then the fourth is about release and connecting to somewhere else. (I was going to mention that I drew these when I had a head cold.) With my mind tripping, I put all sorts of subtle private jokes in these. For instance, the first panel is a reference to something I used to find funny in superhero comics - when the destination in the background was in perspective but the foreground of the superhero flying toward the destination was flattened so it looked like they were flying past the destination. I never knew why they did that. (It read easier? The artist was rushed for deadline?) I'm not sure but it always made me laugh. There's also that drip at the end of the third one. Lots of little things like that. Thanks for your comments - abstract comics are awesome.
ReplyDeleteThanks for the explanation! Finally! I still haven't learned how to read this language yet so at times I feel like a bit of a Kindergartener. I hope abstract comics are not one of those things that require the viewer/reader to be in the same state of mind that the artist was at the time they did the piece to understand it. Not that I would mind having a cold, but some of the other pieces, what part of the imagination could they come from? My place is safely outside the page. :)
ReplyDelete